Christian Review of Fast and Furious Hobbs and Shaw

likewise known equally "Fast & Furious Presents: Hobbs & Shaw," "Hobbs and Shaw," "Fast & Furious - Hobbs & Shaw," "Brzi i žestoki: Hobbs i Shaw," Halálos iramban: Hobbs és Shaw," "Hizli ve Öfkeli: Hobbs ve Shaw," See more than »

"Paklene ulice - Hobs i Šo," "Rápidos y furiosos: Hobbs & Shaw," "Rychle a zběsile: Hobbs a Shaw," "Rýchlo a zbesilo: Hobbs & Shaw," "Szybcy i wściekli: Hobbs i Shaw," "Velocidade Furiosa: Hobbs & Shaw," "Velozes & Furiosos: Hobbs & Shaw," «Бързи и яростни: Хобс и Шоу», «Форсаж: Гоббс та Шоу», «Форсаж: Хоббс и Шоу»

MPA Rating:

for prolonged sequences of action and violence, suggestive material and some strong language.

Relevant Issues

Working as a team with a person one intensely dislikes

Cyber-genetic enhancement of humans

Anarchists / anarchism

Terrorists / terrorism

Mortiferous virus that threatens the human race

Film VIOLENCE—How does viewing violence in movies affect families? Answer

T

his latest "Fast and Furious" produces mixed feelings. At times 1 can only laugh at its fast, fun ridiculousness, which is somewhat likable. Yet, near of the time, one is more than probable to grimace at its odd inconsistency and lack of moral dust. And why would they make a 2-hour "Fast and Furious" film with only one traditional car race?? Let me know if you can piece of work that out.

This installment'due south storyline is concerned with a mission to rescue the planet from biochemical warfare waged by a cyber-enhanced soldier named Brixton Lore (Idris Elba) who wants to use a nasty virus to wipe out all 'the weak,' to advance 'the development of man.' At the same time, the screenplay revolves around the pairing-up of former agent Hobbs (Dwayne 'The Stone' Johnson) and former criminal Shaw (Jason Statham), who bicker hatefully the whole way, accompanied by Shaw'due south dauntless and talented sister Hattie (Vanessa Kirby) who holds a key to the puzzle. Will they be able to avert disaster? Tin they learn to work together before they destroy each other?

Lowlights

Each of the other films in the Fast and Furious franchise has been heavy on violence, cursing, illegal activeness, sexuality or all of the above. This one is too.

Crude or vulgar language (40-60 times in total) includes f*ck (4), sh*t (ten), bl**dy (iii), *ss (10), b*tch/S.O.B. (5), d*ck (4), c*nt, w*nker, c*ck, b*lls (dozens!) and an*s. And that's not counting misuse of God or Jesus' names (eight times) plus d*mn (iv) and h*ll (3). Terminal count exceeds 70 curses.

Violence is also heavy, predictably regular and occasionally gasp-worthy, though rarely encarmine. Nevertheless, in that location are probably in excess of 100 blows to heads and bodies, plus mass casualties from blasts and guns of many kinds. The 'heroes' are merely as violent every bit their enemies, never restricted or led by a boss of whatsoever kind, thus as brutal as they want to exist.

I walks away from a homo whom he'southward dangled from a window, kept alive merely by his ain waning strength, and presently due to feel the noose tighten circular his neck. Also of annotation are several bespeak-bare executions, repeated electrocutions using jumper leads, horrifyingly violent threats to a kid while she is nowadays, a shooting binge that echoes eerily off city buildings, and a sudden blast that shatters the whole glass wall of an office building. Several crashes happen which touch on on cars, trucks, a bus and more. Other weapons featured are trays, bottles, desks, a motorbike helmet, chairs, chains, kitchen pots, a cricket bat, huge wrench, bolt cutter, knives, chainsaw, metallic rods, tasers to the neck (thrice) and heavy usage of a flame thrower. Professionals slap, punch (including a one-punch knockout), headlock, strangle, shoot and boot.

The villain peculiarly loves killing off vulnerable people—on a global calibration.

Crime is 'the family business concern' for one of the 'heroes,' and another is in a relationship with a Mafia leader. Crimes planned or committed include theft, assaults, detest speech, control of the media, death threats, murder, attempted murder, a jailbreak, ID falsification, carjacking, speeding, auto bombings, kidnapping, biological warfare, genocide and torture. The 'heroes' deed every bit though they are to a higher place the law, make lots of money through their reckless missions, and are prepared to finish or threaten others' lives at the drib of a hat. They even try to get each other detained by government for 'a torso cavity search.'

There are very few females and the scripting attempts to increase females' character development and importance to the story, and to reduce objectification and emphasize all the lead woman'southward best qualities. Nevertheless, there remains a large amount of dialog nigh 'the hot spy lady' and about potentially having sex activity with her, fifty-fifty to "impregnate your sister." Some of these phrases seem carefully worded to appear respectful (e.g. "I'thou gonna let her climb this mount if she wants to") just information technology is not convincing.

One time that lady lands on the homo'southward lap awkwardly before sidling off and grinning to herself. And on i occasion this woman is picked up by one of the heroes, and left helplessly dangling from his hand, far above the ground, which could trigger a fear of men's misuse of concrete ability. Then he fights her with his face in her crotch area for more than 10 seconds, and the chemistry tension continues betwixt them for the balance of the picture show.

The other major female person function belongs to a criminal who shrugs off any kind of sin or crime. Fifty-fifty a hero'southward ix-year-old daughter shrugs off crime ("I've seen worse in "Game of Thrones") and is ever seen perfectly groomed, wearing makeup. A dozen or then model-like women wear tight and brief habiliment. One woman, in particular, shows more than enough cleavage, while men are often bare chested and sometimes with their chests oiled.

In case you hadn't guessed, I'm not impressed. Overall, I believe the violence, swearing and crudity are way overdone, and attempts at decency fall a long fashion short. At that place'south a big focus on 'coolness' and vanity. Life is portrayed as very cheap, except for the heroes' families' lives. The story seems to be written for the violence, not the other way around. If non for the comedic mood and low gore, it could almost qualify as a horror movie.

The Bible warns against those who invent new kinds of evil, those who dwell on sinful fantasies, and those who ultimately give glory to what is vile.

These behaviors go hand in hand with grave dishonor to God, which is too sadly a feature of this film (see Themes and Morals).

HIGHLIGHTS

As a woman I'yard pleased at any step abroad from using women every bit mere objects in action films. Simply 2 kisses occur, and no sex or foreplay. Information technology'due south good to see some meaningful conversations and teamwork instead. There are some patches of existent middle piece of work and reconciliations of families, which are thought-provoking and inspirational. This took some focus off coin and animalism, perchance helping the viewer to appreciate what is truly precious in life.

Information technology is also pleasing to see less illegal street racing in this film. This may be helpful to those who tend to get dwelling house from such films with an excited urge to drive in a similar manner. If I am to meet a car-racing movie like Fast and Furious, information technology's because I want to safely, impersonally acquire nearly the interesting world of cars and driving… but without any temptation towards driving dangerously in daily life.

Themes and Morals

Sadly, there are few good ones to be found in "Hobbs and Shaw."

Valuing family and respect for elders are the main areas of benefit. Each of the main characters comes to realize the importance of not running away from family and their problems, but instead facing them and request forgiveness. They may fifty-fifty commit to making apology and prioritizing time with family.

However, be warned that this function of the film also calls on ancestors and faux gods for provision and strength. The true God is never respected. Despite this, many choices have been made to include Biblical phrases. The flick uses 7-10 phrases from the Bible, only they are mode out of context, or downright rude.

Yet we do see humbling. Initially, Hobbs and Shaw frequently speak with pride and belittle others. They compete until they realize they're inadequate for some tasks unless they work together. This reminds me of the Bible poetry:

"Two are better than 1, because they have a expert render for their labor: If either of them falls down, 1 can help the other up. But pity anyone who falls and has no one to help them upwardly… Though one may be overpowered, two can defend themselves." —Ecclesiastes four:nine-10, 12

And once again, from the same wise author, something which these characters would do well to heed:

"Words from the mouth of the wise are gracious, but fools are consumed by their ain lips. At the kickoff their words are folly; at the end they are wicked madness—and fools multiply words." —Ecclesiastes 10:12-fourteen

The film made me think almost such bug every bit…

• Is a little coarse language and teasing with insults acceptable? What would Jesus do?

• Is it okay to include God equally a character in our joking?

• Violent 'heroes' say, "Nobody tells me what to do," throw tantrums, have problem working together and betray friends. Are they truly adept?

• Why does saving require cede?

• What does it mean to buy or sell your soul? Do nosotros lose control of our soul if we commit to evil instead of God? What if we commit to God?

Moviemaking Quality

Again, this is mixed. Conspicuously huge amounts of coin and technical skill take been poured into this film. Some dandy stuff has been done with lighting, polished glass surfaces, special effects and stunts. The vehicles are fun and beautiful to look at. It'southward proficient to run into realistic city streets and a diverseness of international locations, as well as some cultural elements such as a Samoan war dance, traditional weapons and a family'due south respect of elders. Interim is universally impressive… most of the time…

Unfortunately, though, many production elements are not and then positive and decrease the believability and enjoyment. The villain borders on existence more likable than the 'heroes.' He keeps calling himself 'the blackness superman' and at he to the lowest degree has an explanation for his lack of injuries, simply the 'heroes' seem to accept dozens of savage falls and blows without and so much as a trample, scratch or fourth dimension-out. Many scenes are merely ridiculous visually and logically, such as when Hobbs uses nothing only musculus to forbid a racing truck and a powerful helicopter from going their carve up ways. Sure sequences expect to be straight out of video games, and the extra digital touches fall apartment.

I'm not sure what to think virtually the soundtrack, which is acoustic or near-silent for most of the way, and has hip hop and rock during fight sequences. Perhaps it is refreshing to take the light and shade, or perhaps it contributes to the moving picture feeling slow. One moment of soft piano music during a family scene definitely pushes the tenderness a bit far though, as it steps outside the action genre.

Ho-hum-motion is used heavily for 3 action scenes and looks okay, merely it amounts to overkill. Nosotros don't demand to see the spit being knocked out of a man's rima oris from 8 different angles. There is too breathy product placement, with long total-screen flashes of car logos, and rainbow flags as well seem to be specially chosen for lingering glimpses of metropolis streets.

Viewers who stay through the credits will find 3 extra scenes, 1 of which is another foul and foreign burst.

Final Scoreboard

Though "Fast and Furious Presents: Hobbs and Shaw" boasts peachy personality, effects and relationship development, it flunks in many other areas. There is a lack of the car racing for which the other films are loved. There are many bizarre and poorly-considered scenes, and I'm pretty sure I laughed more at the screenplay than with it. And it is, of course, heavy on unnecessary and glorified brutality.

Because I like car racing, fantasy thrills in action movies and potent personalities trying to go along, this i could have been great, but doesn't come up up with the goods. Information technology's abnormally clunky, long, morally shallow, too every bit highly crude. Family men who tin can easily ignore vulgarity and profanities may be able to become a tiny bit of good from it, merely don't concur your breath.

• Violence: Very Heavy
• Crime/State of war: Moderately Heavy
• Vulgar/Crude language: Heavy
• Profane language: Heavy
• Sexual practice: Moderate
• Nudity: Moderate
• Alcohol/Drugs: Minor to Moderate
• Occult: Minor
• Possible Mental Illness Triggers: Heavy

See list of Relevant Problems—questions-and-answers.

osbornclar1961.blogspot.com

Source: https://christiananswers.net/spotlight/movies/2019/fastandfurious2019.html